The Interface Quarterly

No. 12Autumn 2026Vol. IVFourteen components, one grid
Set in Instrument Serif & Inter TightPage 12 / 96
01Feature12 min

The quiet return of the grid.

Why the sharpest interfaces of the decade look like a poster from 1958.

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06IssueNo.
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Autumn 2026
07IndexA–Z
G
09Quoted

“White space is not empty. It is the loudest thing on the page.”

Ines Okafor — Art director

“A grid is a promise you make to the reader, and keep.”

Tomas Lindqvist — Typographer

“Set the type first. Everything else is furniture.”

Mara Solv — Editor
10ContentsIssue 12
01

Letter from the editor

4

On leaving things out, and why this issue is eight pages shorter than the last.

02

The quiet return of the grid

12

Twelve columns, one baseline, and the studios that never stopped using them.

03

Type that moves

28

Motion as punctuation: when a headline should rise, and when it should stay put.

04

Notes on white space

41

A field guide to margins, gutters and the courage to leave a page half empty.

05

Colophon

94

Typefaces, paper stock and everyone who made the issue.

11Filter7 topics
31pieces match
12Listen2:07 / 6:12
The quiet return of the gridRead by Ines Okafor
13Size16 pt
Aa
14Author8,412 readers8,413 readers
io

Ines Okafor

Art director — Lagos

Writes on grids, restraint and the margin1 of things.

1 The white kind. Occasionally the profit kind.