The quiet return of the grid.
Why the sharpest interfaces of the decade look like a poster from 1958.
Why the sharpest interfaces of the decade look like a poster from 1958.
One letter a month. No noise.
“White space is not empty. It is the loudest thing on the page.”
Ines Okafor — Art director
“A grid is a promise you make to the reader, and keep.”
Tomas Lindqvist — Typographer
“Set the type first. Everything else is furniture.”
Mara Solv — Editor
On leaving things out, and why this issue is eight pages shorter than the last.
Twelve columns, one baseline, and the studios that never stopped using them.
Motion as punctuation: when a headline should rise, and when it should stay put.
A field guide to margins, gutters and the courage to leave a page half empty.
Typefaces, paper stock and everyone who made the issue.
Writes on grids, restraint and the margin1 of things.